This The Chariot piece is a finished collage work built around motion and control. The horse is lifted out of its traditional setting and placed into a more chaotic, high-energy environment, creating tension between discipline and momentum. The result is a card that feels less static and more in motion—something pushing forward rather than waiting to be read. This is a completed piece, created as part of the PocketFate collection, where familiar tarot imagery is reworked into something more immediate, expressive, and alive.
This The Devil piece is a collage study built around identity, control, and distortion. The figure is stripped down to bone and then re-clothed, creating a tension between what is real and what is worn. The red hood draws focus while the background breaks into texture and noise, reinforcing the sense of internal conflict. This piece is part of the ongoing PocketFate exploration—taking familiar tarot imagery and pushing it into something more direct, more uncomfortable, and more alive.
This The Sun piece is a collage study built around clarity and presence. The sunflower is pulled forward and isolated against an open sky, removing distraction and focusing entirely on light and growth. The composition is intentionally simple, allowing color and contrast to carry the meaning instead of complexity. This piece is part of the ongoing PocketFate exploration—taking familiar tarot imagery and reducing it down to something more immediate, more open, and more alive.
This The Hermit piece is a full 3D test build focused on how isolation and guidance translate into physical depth. The figure is pulled forward from the background, with the lantern and staff acting as focal points that break the flat plane of the original image. The space around the figure is left intentionally open, reinforcing the quiet and distance the card represents. This isn’t a finished product or something intended for sale—it’s part of the process, refining how light, layering, and negative space can carry meaning when the card is built by hand instead of printed flat.
This Nine of Swords piece is a 3D test built to understand how emotional weight translates into physical form. The figure is pulled forward from the background, while the swords are arranged in a rigid, repeating structure behind it. That contrast—between the human element and the fixed pattern—creates a sense of pressure within the space. This isn’t a finished product or something intended for sale. It’s part of the process—testing how depth, spacing, and repetition can carry meaning when the card is no longer flat.
This The Emperor piece is a 3D test focused on structure, control, and balance. The figure is centered and grounded, with the throne and surrounding elements built to reinforce stability and symmetry. Each layer is placed with intention, creating depth without breaking the rigid composition that defines the card. This isn’t a finished product or something intended for sale. It’s part of the process—testing how order, spacing, and form can be preserved when the image is rebuilt by hand instead of remaining flat.
